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(See more about running times in the Blu-ray footnote.) Prefacing the running time is the DVD's English-only Dolby audio track or tracks—those of other languages are not included, nor are any other audio formats (e.g. DVD release: 1-5-99 (2.65:1 [see notes] non-anamorphic; 2.0 Surround; 120m:52s [121m:04s•]). : “John Wayne plays Roy, Arthur Lake's fraternity brother, and it's a fairly decent supporting part, with quite a bit of dialogue in the first half of the film.” (IMDb user who viewed the film at the UCLA Film & Television Archive). A scene from Brown of Harvard, which Jack Conway is directing for Metro-Goldwyn-Mayer.” View an unedited clip where Duke is most visible in his feature film debut; 9.8 MB : “Wayne worked as an assistant property man and may have participated as an extra in any one of the street sequences.” (TJWF). The documentary The Duke at Fox confirms that Wayne played a police officer in a street scene. Wayne joined Ward Bond and a number of football players that director John Ford had recruited from universities in the Los Angeles area to play out a complete game before the cameras. Wayne appears throughout the film and has many small pieces of dialogue.PCM or DTS) since Dolby is exclusive to all the DVD titles listed herein. The Green Berets Warner Bros.-Seven Arts (1968) Warner Bros. Mike Kirby), David Janssen, Jim Hutton, Aldo Ray, Raymond St. : “A young Wayne and several other USC teammates were hired to exercise with [Tom] Mix, keeping the star in shape, while the actor filmed on location. : “Wayne's role in the film may be confined to stock footage utilized from the earlier Columbia film Maker of Men. before release, eliminating small roles by both Humphrey Bogart and John Wayne (still visible in the background)!
Each film is linked via a new window to the Internet Movie Database which along with the American Film Institute Catalog of Feature Films, Fred Landesman's book The John Wayne Filmography, Allen Eyles' book John Wayne and the Movies, and my own research and ever-growing collection of films, formed the basis for this filmography. The Comancheros 20th Century-Fox (1961) Fox 2007542 (keep case) John Wayne (Ranger Capt. Republic denied that it was party to such a stipulation. Universal-International handled US distribution after RKO closed its exchanges in 1957. What can only be called a 'straggler' in Wayne's post-1939 career, the film was copyrighted by Frank Ross, Inc., and made in conjunction with RKO under the working title “Free for All,” that title changed while nearing the end of production.In the case of most public domain titles, posters or other movie advertising are used instead. In 1955 television rights were sold under its original title to Hygo Television Films, Inc., and passed on to Prime TV Films, Inc. Ownership of the film ultimately ended up being claimed by film collector Raymond Rohauer, who renewed the copyright in 1971 under his Film Archives Trading Company.The DVD release date (month-day-year) is for the title itself and not always the cover shown. Frank Ross, the film's producer, however, eventually assigned outright ownership to Prime TV, and with the company's demise in 1989, Republic Pictures (formerly National Telefilm Associates) acquired the title.The few titles not available on Region 1 have additional information about their home video releases in North America (VHS and, if applicable, Laser Disc). TJWF, AFI and copyrighted: 180 mins.; BBFC: 178m:28s. Exclusive videocassette rights were with New York-based Video Tape Network in 1979, Vid America in the 1980's, and Republic Entertainment in the 1990's.Region 1 DVDs that have other regions encoded on the disc follow the case type. Copyrighted and general release (Cinema Scope version): 149 mins.; BBFC: 163m:49s. DVD release: 11-2-99 (2.30:1 non-anamorphic; 5.0 and 2.0 Surround; 178m:10s); 5-23-06: 2-disc special edition (2.35:1 anamorphic; 4.0 and 2.0 Surround; 178m:11s; cover shown on hover). Paramount (1962) Paramount 06629 (keep case) John Wayne (Sean Mercer), Hardy Kruger, Elsa Martinelli, Red Buttons, Gerard Blain. Now owned by Paramount, has the distinction of being the worst print on home video of Wayne's post-1939 titles.